The
Victorian Parlor or Music Room 1850-1875
The
center placement of the marble top rosewood table was
typical of Victorian parlors. The suite of furniture,
consisting of the settee, table and chairs are covered
in black horsehair cloth, is Early Belter style. John
Henry Belter, who worked in Brooklyn, devised such a
unique way of steaming, forming and laminating the rosewood
backs of his chairs that his name is attached to all
pieces of this style. The chairs tend to be low to the
floor to allow ladies to sit gracefully in spite of the
large hoop and crinoline skirts of the period.
The
New York rosewood box piano, made by the Raven Bacon
Company, is still very playable. The music stand shows
the sheet music of the popular tunes of the day. The
large Gilt Pier Mirror, which belonged to the Parrys,
is a Philadelphia piece made by James S. Earle and is
one of the finest of its kind.
Lighting
had progressed to kerosene as reflected in the Waterford
crystal chandelier. This chandelier was fitted for gaslight
and then later converted for electricity. Cornelius of
Philadelphia made the sets of girandole candleholders
on the mantle and piano.
The
room has a Gothic Revival influence as seen in the antique
Scotch ingrain carpet, the little hall chair near the
coal stove and the stove itself. The heavily draped windows
and elaborate curtains all add to the "Victorian" feeling
of the room. The curtain rods and holders were found
in the house.
The
engraving of General Grant and his family resulted from
his popularity after the Civil War when he was a national
hero. The painting over the mantle is titled "The
Peacemaker" and is thought to be of young George
Washington breaking up a fight between his friends.
Over
the piano is a classic painting thought to be by Asher
Brown Durand of the Hudson River Valley School of Painting.
By the door is a charcoal sketch of Richard Randolph
Parry at age 25.
The
Victorians loved knickknacks. Note the Napoleonic French
porcelain palette clock, the needlepoint picture with
silver leaf backing, the papier-mâché table
and the ladies fire screen fans. The
English porcelain in the corner cupboard is Victorian
Chelsea and consists of two different patterns.
Miss
Gertrude Parry, who gave frequent musicales in this room,
owned the folding brown silk parasol. In our archives
we have a 1880 photo of this room. It looked very similar
except the photo showed an upright piano and a cat.
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